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2018年欧洲媒体、传播与电影会议（The European Conference on Media, Communication & Film 2018）
2018年 欧洲 媒体 传播 电影 会议
2018/1/17
We have reached a moment in international history that is one of potential paradigm shift. It is a moment when a problematic, but at least blandly progressivist, pro-multiculturalist movement toward “...
“好莱坞，电影学者在哪里？”研讨会（Bridging Gaps: Where is the film scholar in Hollywood filmmaking?）
好莱坞 电影学者 研讨会
2017/2/24
here have been significant debates on gaps between filmmakers and film scholars. Film scholars have been critical of dominant representations that tend to overlook classist, sexist, and ethnocentric t...
四川师范大学外国语学院英语精读课件 Cinematic underdog makes chinese film history
四川师范大学外国语学院 英语精读 课件 Cinematic underdog makes chinese film history
2015/11/11
四川师范大学外国语学院英语精读课件 Cinematic underdog makes chinese film history。
四川师范大学基础教学学院英汉和汉英翻译课件 Strategies for English-Chinese Film & TV Subtitling
四川师范大学基础教学学院 英汉和汉英翻译 课件 Strategies for English-Chinese Film & TV Subtitling
2015/11/11
四川师范大学基础教学学院英汉和汉英翻译课件 Strategies for English-Chinese Film & TV Subtitling。
Perceiving scenes in film and in the world. In J. D
Perceiving scenes film world. In J. D.
2015/8/13
Perceiving scenes in film and in the world. In J. D.
Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films t...
Visual Activity in Hollywood Film: 1935 to 2005 and Beyond
film motion movement frames shots
2015/8/13
The structure of Hollywood film has changed in many ways over the last 75 years, and much of that change has served to increase the engagement of viewers’ perceptual and cognitive processes. We report...
How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film
cinemetrics film acts Hollywood film shots transitions
2015/8/13
Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
The changing poetics of the dissolve in Hollywood film
changing poetics dissolve Hollywood film
2015/8/13
Most films contain many shots knit together by several types of transitions,andbyfarthemostprevalentisthecut.Overthelast70years, fadesandwipes have become increasingly rare. Dissolves have also dimini...
Quicker,faster,darker:Changes in Hollywood film over 75 years
film motion luminance shot lengths
2015/8/13
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contem-porary films have mor...
In a recent issue of Projections, Cutting, Brunick, and DeLong (2011b) reported that the structure of film acts—the four relatively equal-length stretches of film determined by the progression of the ...
Low-level features in film:What they are and why we would be lost without them
Low-level features film lost without them
2015/8/13
The narrative of a fi lm is oft en cited as the driving force for viewers’ attention to and engagement in a fi lm. Th e narrative is also conceptually the most vivid for fi lm viewers; it is not oft e...
Mapping narrative space in Hollywood film. Projections
Mapping narrative space Hollywood film Projections
2015/8/13
Popular movies are curiosities from the standpoints of perception and human evolution. To be sure, static pictures—particularly photographs—are also curiosities since they flatten, shrink, and photome...
Film through the Human Visual System:Finding Patterns and Limits
Film Human Visual System Finding Patterns Limits
2015/8/13
Over time, filmmakers have changed the way they realize the structure of their films. Film structures have progressively developed to cater to patterns present in human attentional systems.Shot struct...
Coloring the Animated World:Exploring Human Color Perception and Preference through the Animated Film
Animated World Exploring Human Color Perception Preference through Animated Film
2015/8/13
Animated films present a unique set of challenges and questions to scholars examining films from a cognitive perspective. When the confines of the real world don’t exist as they do in live action film...