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here have been significant debates on gaps between filmmakers and film scholars. Film scholars have been critical of dominant representations that tend to overlook classist, sexist, and ethnocentric t...
Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films t...
The structure of Hollywood film has changed in many ways over the last 75 years, and much of that change has served to increase the engagement of viewers’ perceptual and cognitive processes. We report...
Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
Most films contain many shots knit together by several types of transitions,andbyfarthemostprevalentisthecut.Overthelast70years, fadesandwipes have become increasingly rare. Dissolves have also dimini...
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contem-porary films have mor...
We selected 24 Hollywood movies released from 1940 through 2010 to serve as a film corpus. Eight viewers, three per film, parsed them into events, which are best termed subscenes. While watching a fil...
Popular movies are curiosities from the standpoints of perception and human evolution. To be sure, static pictures—particularly photographs—are also curiosities since they flatten, shrink, and photome...
Popular movies present chunk-like events (scenes and subscenes) that promote episodic, serial updating of viewers’ representations of the ongoing narrative. Event-indexing theory would suggest that th...
Complicating cherished assumptions about film biography, the fifties, and female spectatorship, I Want to Live! finds male filmmakers identifying with a female protagonist in opposition to the male in...
It is said that the movies, and more recently TV, are a school in which males learn the strategies and discourse of sexual engagement. How much more complex the situation has become in the last few de...
新疆大学综合英语课件Book1 Unit10 Hollywood
Brereton’s Hollywood Utopia and the Andersons’ edited volume, Moving Image Theory, both revolve around conceptions of ecology. Although they both start with this concept as central, each utilises it...
The essay is an attempte firstly to look into the persistence of forms of auterism in contemporary Hollywood cinema and, secondly, to prove the relevance of a joint genre-auteur analysis. Its starti...
Adrienne Kennedy’s renowned play A Movie Star Has to Star in Black and White is primarily preoccupied with the personal quest of a ‘Negro woman’ for identity. Clara is a thirty-three years old lady wh...

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