搜索结果: 1-15 共查到“艺术学 perception”相关记录23条 . 查询时间(0.14 秒)
Compensation is unnecessary for the perception of faces in slanted pictures
Compensation unnecessary perception faces slanted pictures
2015/8/13
In four experiments, we explored the perception of facial distortions seen in pictures viewed from the side or from above or below. In all four, however, we disguised the slant of the picture surface ...
Coloring the Animated World:Exploring Human Color Perception and Preference through the Animated Film
Animated World Exploring Human Color Perception Preference through Animated Film
2015/8/13
Animated films present a unique set of challenges and questions to scholars examining films from a cognitive perspective. When the confines of the real world don’t exist as they do in live action film...
This paper discusses the role of form in our perception of the designed object. This is done by taking some assumptions about the designed object that are current in material culture and considering t...
Online games have exploded in the last few years. These games face several problems linked to scalability and interactivity. In fact, online games should provide a quick feedback of users' interaction...
A simpler explanation for vestibular influence on beat perception: No specialized unit needed
rhythm perception beat induction entrainment audiogravic
2010/9/26
Some researchers have hypothesized the existence of a specialized brain
unit for beat perception in music which is directly influenced by vestibular stimulation
arising from motion. They also sugges...
The Doors of Consciousness and Perception How Languages Play Special Songs
Special Songs Perception Languages Play onsciousness
2008/11/10
In 1998 I interviewed 30 Haida people in my own community, asking questions about the role of the arts in the revitalization of our indigenous society. The Native Elders would not or could not disting...
Commentary on "Perception and production of linguistic and musical rhythm by Korean and English middle school students"
rhythm meter language cross-cultural methodology
2010/9/26
Interest in possible cultural influences on basic rhythm perception and production has been
growing, and the paper by Slobodian (2008) fits squarely in this trend, studying rhythm perception and prod...
Perception and production of linguistic and musical rhythm by Korean and English middle school students
cross-cultural experimentation rhythm meter perception language
2010/9/26
I examine rhythmic tendencies of Korean and Western middle school
students in linguistic and abstract musical contexts using a series of speaking and
clapping experiments. Results indicate a prefere...
Associative Structure in the Perception of Music:The Case of Turkish ‘Yanık’ (scorched)
Perception of music associative structure the bitter-sweet feeling Turkish ‘yanı k’(scorched)
2008/10/30
The term yanık, a desired quality of
music, is one of the most important aspects of
Turkish response to music in terms of the
perception of meaning. As a discourse of sentiment,
yanık ...
Commentary on “The Perception and Cognition of Time in Balinese Music” by Andrew Clay McGraw
experimental method non-western music collaborative research
2010/9/26
We review the paper by Andrew Clay McGraw, noting that it represents an interesting and valuable contribution to the study of music in cognition in its informed exploration of non-western musical perc...
The Perception and Cognition of Time in Balinese Music
Bali gamelan time perception cognition
2010/9/26
This article describes experiments designed to determine the perception
and cognition of time-in-music among Balinese gamelan musicians. Three topics are
discussed. First, the proposed connections b...
Commentary on “The Potential of the Internet for Music Perception Research: A Comment on Lab-Based Versus Web- Based Studies” by Honing & Ladinig
Internet-based experimenting empirical experimental method
2010/9/26
The use of web-based data collection raises fundamental issues impinging
on reliability and validity of test results, as well as important ethical (and potentially
legal) issues such as informed con...
The Potential of the Internet for Music Perception Research: A Comment on Lab-Based Versus Web-Based Studies
Internet-based experimenting empirical experimental method
2010/9/26
While the discussion on the integrity of data obtained from Webdelivered
experiments is mainly about issues of method and control (Mehler, 1999;
McGraw et al., 2000; Auditory, 2007), this comment st...
A Response to Cross & Rohrmeier’s ‘Comments on Facilitation and Coherence Between the Dynamic and Retrospective Perception of Segmentation in Computer-Generated Music’
music perception segmentation cognitive discrimination computer music
2010/9/26
The commentary by Cross and Rohrmeier (2007) attempts to locate our
paper (Bailes and Dean, 2007a) as a study of timbre, and points out the ongoing
development of research in this area, including at...
Comments on “Facilitation and Coherence Between the Dynamic and Retrospective Perception of Segmentation in Computer-Generated Music,” by Freya Bailes and Roger T. Dean
music perception segmentation cognitive discrimination computer music timbre
2010/9/26
Although the study by Bailes & Dean (2007) addresses an underresearched
area of auditory and musical perception, it raises questions concerning
stimuli, methodology, and the study's relation to prev...